{"id":1453,"date":"2026-01-22T11:55:58","date_gmt":"2026-01-22T11:55:58","guid":{"rendered":"https:\/\/www.nandavigo.org\/2026\/01\/22\/technologies-of-enchantment\/"},"modified":"2026-01-22T22:17:14","modified_gmt":"2026-01-22T22:17:14","slug":"technologies-of-enchantment","status":"publish","type":"post","link":"https:\/\/www.nandavigo.org\/en\/2026\/01\/22\/technologies-of-enchantment\/","title":{"rendered":"Technologies of Enchantment"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"629\" src=\"https:\/\/www.nandavigo.org\/wp-content\/uploads\/2024\/09\/2022-Biennale-Venezia_s-1024x629.jpg\" alt=\"\" class=\"wp-image-807\" srcset=\"https:\/\/www.nandavigo.org\/wp-content\/uploads\/2024\/09\/2022-Biennale-Venezia_s-1024x629.jpg 1024w, https:\/\/www.nandavigo.org\/wp-content\/uploads\/2024\/09\/2022-Biennale-Venezia_s-300x184.jpg 300w, https:\/\/www.nandavigo.org\/wp-content\/uploads\/2024\/09\/2022-Biennale-Venezia_s-768x472.jpg 768w, https:\/\/www.nandavigo.org\/wp-content\/uploads\/2024\/09\/2022-Biennale-Venezia_s.jpg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n<p class=\"wp-block-paragraph\"><br\/>group exhibition<br\/>La Biennale di Venezia Arte 2022<br\/>April 23 &#8211; November 27, 2022<\/p>\n\n<p class=\"wp-block-paragraph\"><br\/>The capsule &#8220;Technology of Enchantment&#8221; recalls the exhibition &#8220;Programmed Art. Kinetic Art. Multiplied Works. Opera Aperta&#8221; organized in 1962 by Bruno Munari and Giorgio Soavi, in collaboration with Olivetti, which asked artists to create works of art using the new technologies then emerging. In addition to Nanda Vigo, the section includes Marina Apollonio, Dadamaino, Lucia Di Luciano, Laura Grisi, and Grazia Varisco. <\/p>\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>group exhibition<br \/>\nLa Biennale di Venezia Arte 2022<br \/>\nApril 23 &#8211; November 27, 2022<\/p>\n","protected":false},"author":2,"featured_media":808,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"wpupg_custom_link":[],"wpupg_custom_link_behaviour":[],"wpupg_custom_link_nofollow":[],"wpupg_custom_image":[],"wpupg_custom_image_id":[],"footnotes":""},"categories":[1,20],"tags":[],"class_list":["post-1453","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-categorizzato","category-past-exhibition"],"_links":{"self":[{"href":"https:\/\/www.nandavigo.org\/en\/wp-json\/wp\/v2\/posts\/1453","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nandavigo.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nandavigo.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nandavigo.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nandavigo.org\/en\/wp-json\/wp\/v2\/comments?post=1453"}],"version-history":[{"count":1,"href":"https:\/\/www.nandavigo.org\/en\/wp-json\/wp\/v2\/posts\/1453\/revisions"}],"predecessor-version":[{"id":1454,"href":"https:\/\/www.nandavigo.org\/en\/wp-json\/wp\/v2\/posts\/1453\/revisions\/1454"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nandavigo.org\/en\/wp-json\/wp\/v2\/media\/808"}],"wp:attachment":[{"href":"https:\/\/www.nandavigo.org\/en\/wp-json\/wp\/v2\/media?parent=1453"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nandavigo.org\/en\/wp-json\/wp\/v2\/categories?post=1453"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nandavigo.org\/en\/wp-json\/wp\/v2\/tags?post=1453"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}