{"id":396,"date":"2024-08-28T13:01:32","date_gmt":"2024-08-28T13:01:32","guid":{"rendered":"https:\/\/www.nandavigo.org\/2024\/08\/28\/inside-other-spaces-environments-by-women-artists-1956-1976\/"},"modified":"2026-01-20T10:35:22","modified_gmt":"2026-01-20T10:35:22","slug":"inside-other-spaces-environments-by-women-artists-1956-1976","status":"publish","type":"post","link":"https:\/\/www.nandavigo.org\/en\/2024\/08\/28\/inside-other-spaces-environments-by-women-artists-1956-1976\/","title":{"rendered":"Inside Other Spaces.\nEnvironments by Women Artists 1956-1976."},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/www.nandavigo.org\/wp-content\/uploads\/2024\/08\/1_2023-Haus-der-Kunst_Renata-Knes-1024x768.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">2023 Haus der Kunst \u00a9 Renata Knes<\/figcaption><\/figure>\n\n<p class=\"wp-block-paragraph\">traveling group exhibition<br\/>Stiftung Haus der Kunst Munich <br\/>September 8, 2023 &#8211; March 10, 2024<\/p>\n\n<p class=\"wp-block-paragraph\">The exhibition analyzes the fundamental contribution of women artists in the development of &#8220;environment&#8221; art installations, presenting the work of eleven women artists straddling three generations and scattered across Asia, Europe, North and South America.<br\/>Nanda Vigo is featured with reconstructions of Ambiente cronotopico vivibile, first made in 1967 at the Galleria Apollinaire in Milan, and Ambiente spaziale: &#8220;Utopie,&#8221; made with Lucio Fontana in 1964 for the 13th Milan Triennale.<\/p>\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>travelling group exhibition Stiftung Haus der Kunst Munich September 8, 2023 &#8211; March 10, 2024<\/p>\n","protected":false},"author":1,"featured_media":322,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wpupg_custom_link":[],"wpupg_custom_link_behaviour":[],"wpupg_custom_link_nofollow":[],"wpupg_custom_image":[],"wpupg_custom_image_id":[],"footnotes":""},"categories":[20],"tags":[],"class_list":["post-396","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-past-exhibition"],"_links":{"self":[{"href":"https:\/\/www.nandavigo.org\/en\/wp-json\/wp\/v2\/posts\/396","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nandavigo.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nandavigo.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nandavigo.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nandavigo.org\/en\/wp-json\/wp\/v2\/comments?post=396"}],"version-history":[{"count":3,"href":"https:\/\/www.nandavigo.org\/en\/wp-json\/wp\/v2\/posts\/396\/revisions"}],"predecessor-version":[{"id":428,"href":"https:\/\/www.nandavigo.org\/en\/wp-json\/wp\/v2\/posts\/396\/revisions\/428"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nandavigo.org\/en\/wp-json\/wp\/v2\/media\/322"}],"wp:attachment":[{"href":"https:\/\/www.nandavigo.org\/en\/wp-json\/wp\/v2\/media?parent=396"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nandavigo.org\/en\/wp-json\/wp\/v2\/categories?post=396"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nandavigo.org\/en\/wp-json\/wp\/v2\/tags?post=396"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}